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Kerstin Kempker
Dear/Expensive Lack of Understanding: The Language of Madness and
the Response of Psychiatry
(= Teure Verständnislosigkeit Die Sprache der Verrücktheit
und die Entgegnung der Psychiatrie)
Closing word by Thilo von Trotha, 128 pages, 18 illustrations, 15 x
21 cm, ISBN 978-3-925931-04-8. Berlin: Peter Lehmann Publishing 1991.
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"What drives people mad? What is the reason, that people
don't go mad? I am particularly interested in the second question, less
frequently asked." At their spots of touch Kerstin Kempker brings
to speak the psychiatry, that ist setting limits, and the border-crossing
world of madness. She uses the art of the collage, to let clash literary,
philosophical, psychiatric as well as antipsychiatric discussions, which
usually are held separately. Just the literary voices such as Ingeborg
Bachmann, Antonin Artaud, Sylvia Plath, Unica Zuern, Robert Walser
show: the anachronistic and non-mitigated observations, perceptions and
manifestations can be a skill, which, indeed, has its price, but has nothing
to do with illness. Price of madness is the risk of psychiatrisation and
the loss of the mutual language; price of adaption nevertheless would
be the abandonment of one's identity.
In part 1, "Language and Power", Kerstin Kempker (see photo)
lets describe psychiatrists the functions of their labelings; in part
2, "Language in No Man's Land", she is searching for other
sides of reality. She uses literary and philosophical quotations and
statements from people which are labeled psychiatrically. In a frightening
way it becomes clear how strange and uncomprehending the psychiatric
thinking is opposed to the world of madness, and how unfounded it
presumes to judge its object and heals it even with chemicals.
The opponents in this book are not the bad psychiatrists
and the poor socially damaged victims, but much
more exciting the psychiatric logic and the mad obstinacy.
"Dear incomprehension, to you finally I shall owe being myself."
This quotation of Samuel Beckett's "The Nameless" provided
the title of the carefully designed book, and Kerstin Kempker recapitulates:
As a dear good and a great value the mad, the folly, the misunderstood
doesn't want to be understood by everyone, at all costs. For proper
reasons it is on its guard. The text includes statements of inmates
of madhouses and of Franca Basaglia-Ongaro, David Cooper, Michel Foucault,
Erving Goffman, Ronald D. Laing, Thomas S. Szasz and Paul Watzlawick,
among others. It provokes thinking lateral, for questioning the matter
of course; it doesn't want to deliver answers. |
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